We weren't sure whether we wanted to go with the most recent version of the poster, which is the spaced out one, or the one which has the three singles instead of the two. To determine which would be best, we printed out both and asked our whole class to pick which one they preferred.
As you can see, the more spaced out version was preferred, so that is the version we will go with.
In our last draft we forgot to relayer all of the text to give it the pink glow, so we did that here and then also made some minor changes to text alignment.
The response this time was that the readability is now much improved and the text can be easily read, though it was suggested that there's still maybe too much text and it leaves very little space, so we will see what we can remove to try and make it feel like less of a solid wall of text.
To try and improve readability, we duplicated the text layers so that the text would become more bold, and we also did some cutting and replacing of the trees in the background to cover gaps of light that were affecting readability.
The main issues people expressed were still with regards to readability, so we will need to work on that, but aside from that everyone prefers this new approach we're taking as opposed to the earlier drafts we had.
This draft changed quite a lot from our previous version. We took a screenshot from the video to use to replace the bordered image on the previous draft, but as we enlarged it to fit in the border we realised that the image would look good if the background was included and took up the whole poster. Because this change of background affected the visibility of the text, we added a pink neon border to all of it which again fits the colours of the video and makes it more readable. We also changed some of the alignment of the text, as was suggested in our last feedback.
The response to this poster was more positive. Some expressed doubts about the strength of the main image and said we could pick a better one, and there were also some concerns raised about the alignment of the text, so we will look into changing that in our next draft.
This is the second draft of our poster. We went with a different approach after taking feedback from audiences, so we changed the main image and made the poster more text heavy so that it is more conventional and easily identifiable as a music poster.
This was only a very rough preliminary draft, so we didn't ask for too much or any particularly extensive audience feedback. However, the people we did talk to said it was too simplistic and would maybe work better in landscape, so we will try that.
The corners on our digipak interior behind the CD were a point of contention in our audience feedback, and although people ultimately decided it looked better with them we conducted additional research to justify our use of them, and found another 1975 album which uses a similar technique with the corners behind the CD.
We needed to determine whether the version with the corners or without the corners is best, so we printed out physical versions of both copies, and asked people to put post-it notes on the version that they liked the best with a small explanation as to why. Here are the results:
As you can see, the version with the corners received a lot more positive feedback so we will likely use this version, though first to ensure that it meets conventions of digipaks we will conduct some minor additional research to ensure that these corners are typical enough of digipaks that we can use them.
We have now reverted back to the pink colour, and need to consult audience feedback again to determine whether we use the version which has the corners outside the CD or the version that doesn't, both of which can be seen below.
We ourselves don't think the blue version is as good as the pink, but we asked for audience feedback anyway to see what the general consensus was. Everyone we questioned said that they preferred the pink version as it's more linked to the colour scheme of the video and creates the most consistency with the video itself, so we won't use this blue version and will carry on with the pink.
We had the oppositie criticism of the eighth draft relayed to us this time, with some people saying that they miss the corners of the image and thought they gave the digipak more personality, and the inclusion of a hidden image of sorts made it more interesting. To get a better idea of audience attitudes to the digipak we will print both versions and ask for feedback on the physical, constructed digipaks themselves.
We also had one person suggest that pink wasn't the best colour the digipak could be, and that it would maybe work better in a dark blue, so we will likely try that for our next draft.
We asked for audience feedback on our eighth draft, and response to the design of the CD was positive, with people praising the simplicity. However, some people took issue with the corners of the image behind being visible, so we will see how it looks without that.
We have been told that the image on this draft is better, but we should consider how it would look with the CD placed on it, so for our next draft we will design and place the CD on the digipak.
We again asked for audience feedback on our latest draft and were told that the image on the top right is now too similar to the one on the left, so we will change this image.
We asked for more feedback on our newest draft of our digipak. We were told that there isn't much of a connection between the two interior images, and that the image on the right could be changed to better match that on the left.
We were also told that the central image on the back should be resized so that the character is the same size as he is on the front.
To gather an idea of where to go next for our digipak, we decided to ask for more audience feedback on our digipak, and to do this we printed out what we currently have and constructed it to look like an actual digipak before giving it to people and asking for some feedback.
The most common positive points were that:
The colours create unity with the video
The layout of the back of the digipak especially is very creative and eye-catching
The colours of the digipak go well together
Has basically all of the details necessary for a digipak
The most common negative points were that:
The mise-en-scene of the central image is quite weak
The blurring of the face effect could use a lot of refinement
The barcode on the back should be landscape instead of portrait
After looking at this feedback, we will consider what should be done with our main front image in order to improve the digipak, as that's where most of the complaints have come from.
We designed several possibilities for the interior of our digipak, which can be seen in our previous blog post showing the second drafts. We decided to ask for audience feedback on what should be used, listing all five options on an online poll and asking people to answer which one they think would be best, and we would go with the two most voted options. These were the results:
After receiving audience feedback, we decided to zoom out the main image and change the colours of the text and border. These colour changes continue throughout the back and interior images, and we have several interior images which we will ask for more feedback on to decide what to use, as the response to our initial interiors wasn't very positive.
We have decided to go with the first idea of our digipak flat-plans, and this post is explaining the main influences behind that design. There are two albums in particular we are using as inspiration: 'My Beautiful Dark Twisted Fantasy' by Kanye West and 'James Blake' by James Blake.
The first cover we are using as inspiration because although it's a completely different genre to what we are using, it is similar in that it's a very artistic album that deals with mature themes. We're planning on using a similar style border on our digipak so that it looks more artistic, though we will change the colors to match our color scheme. The second album is more close in genre with it being indie pop, but the inspiration we are taking is from the visual of the man with the blurred face. We feel this would be fitting for our character who is quite lost and not quite right mentally, so this blurring and shifting of the face could represent his confusion.
We quickly through together a quick draft of what we would like our digipak to look like, using stock images and the photoshop tools we plan on using. When we come to actually design the digipak the central image will likely be larger and we will also make sure the border isn't as rough.
These are the results from our digipak questionnaire. We asked the same sample of people that were used for our initial questionnaires, and essentially found out that digipaks were very important to them. They think they should include an image of the artist, they should include the artist and album name on the front and should have some link to the content of the album.
The changes we have made in this draft include decolorising the opening shots to show a contrast between the past and present, and then refilming the scene on the log to get rid of the McDonalds bag that was previously present in the mise-en-scene.
This is the fourth draft of our music video. In this version we added some shots of the lead character with his girlfriend at the beginning of the video to further establish a human connection with the character and clarify why he would turn to religion.
This is the third draft of our music video. Changes in this version include minor shot order changes and we also changed the slow motion effect on the title reveal as the camera pans upwards.
This is the second draft of our video. We took our audience feedback into account, so first we changed the shot one minute and ten seconds into the video as this part received the most criticism. We also restructured the shots in the second chorus so that the timing was better which created better flow.
We have completed the break section of our video, which is the most technically ambitious parts of the video due to all of the layering but one that is also very vital to the narrative.
Now that we have finished filming and are starting to edit, our narrative has completely pieced itself together and further developed from its initial conception.
Our video follows a man who's girlfriend has died, and is left mentally broken. As such, he turns to religion to try and find relief, which is reflected in the song's lyrics. Learning about postmodernism really affected the shaping of our story, and though this narrative is postmodern already (as it follows a relationship story that's not man/woman, it's more about the relationship with the church and even in the case of the man/woman it focuses on the grief of that story, not the love) we have decided to further subvert traditional narratives by having our character not find redemption in religion, making him more of an unsympathetic character who rejects religion and can only see the toxicity of it.
As directors we prefer this narrative because it's a more controversial and rarely seen viewpoint that could allow for some good symbolism and iconography. To reflect this new narrative direction we will have the lead be faced with both Christ and cocaine, and choose cocaine to reflect his destructive mental state; we'll have him see imagery of a burning Bible; during the break section we'll edit in disturbing imagery linked to religion; and then ultimately the video will end with the character rejecting the church and walking out.
Location filming is something that we did not undertake last year and has challenged us to try something new. Whilst we did film in houses, it took no organisation as they were our houses and the sets were already designed to work for the production. This year we decided we needed to film in a church location to reflect the story and tone of the song we picked. As you can see in previous posts we have already organised and scouted the location for the video, however the actual filming itself creates many issues.
One issue with filming on location is the transportation required and planning on the day. Everything has to go to plan and nothing can be left to chance as you only have a set amount of time to film at the location. This means we have prepared a shot list to counter this and we both have a clear vision of what needs to be filmed on the day. We also have organised how we will get there and we have fully confirmed our access to the site and location.
Organising the access to the site as well has heavily delayed the project. We where meant to film over a month ago but due to access and limitations we have been un able to do it. This has pushed the production back by a few weeks and delayed our previously drawn up schedule.
The benefit of filming on location however is the incredible setting it will create for the production. The whole set is great to film at and we think it will really add a great element to our video.
We went location scouting around the church before we fully committed to filming there just to make sure it would be suitable for our needs, and we've decided that it is. Here are some images we took around the church to make sure it was okay for us.
The song that we have chosen is quite long, running over 6 minutes. We wanted to cut it down to around four minutes in length, so we went into Final Cut Pro to do this. First we had to use the blade tool to cut out certain parts of the song, then we had to use audio key framing to made the transitions between edits sound more natural, as seen below. The edited version we now have is four and a half minutes long, which we think will be much more manageable.
After reviewing our audience feedback, looking back on our synopsis and studying narrative further, we have decided to make some changes to our story.
Around halfway through the video the song will cut out and enter a break section where we will cut to the lead character in a darkened room, watching a TV. The TV will have footage of an old girlfriend on it, who has presumably died. This gives context to the actions and mood of the character throughout the video and why he turns to religion. We will also likely include a shot of him looking at a gravestone to further emphasise this.
For our music video we would like to film in a church, so we would need to get permission to do this. Here you can see the email exchange of us contacting a church, explaining what we would be doing and then getting permission for it.
Katz and Blumler's Use and Gratifications Theory attempts to understand the reasons people choose to watch pieces of media and what needs it satisfies for them. The theory states that all pieces of media fall into at least one of the four categories:
Entertain - the media you watch should give you enjoyment and some form of escapism so as to temporarily lose yourself in the media and forget about your real world worries.
Educate - the media should in some way give you information, knowledge or understanding.
Identify - being able to see yourself or norms/ideals you associate with reflected in the media, perhaps through role models who share similar values, or aspirations to be someone else.
Social Interaction - the media product should be able to spark conversation or debate between other people.
Our video would likely fit into three of these categories. One being to entertain, as we would hope our end product is good enough for the viewer to lose themselves in and enjoy watching. Second being to identify, as some people should be able watch the video and see parts of themselves in the protagonist. And third being social interaction, as our video will create the possibility for people to have conversations possibly about the ambiguous ending of the video, where the character's fate is left open, or the place that religion holds in people's lives.
The main audience for our music video will likely be teenagers to young adults, as they formed the bulk of who we questioned in our questionnaires. The alternative rock genre itself typically has a younger audience, and the band who's song we will be making the video for has a similarly young target audience.
Although we are dealing with serious subject matter that could be seen as more adult, we feel it will be easily relatable and viewable for most people because most will have at least some experience with religion, whether it's being part of it or questioning it, so the video should be an interesting and engaging watch for them.
We won't aim for any particular gender as we feel like it's easily marketable to both, and we also won't try and completely shut out older audiences either, as they definitely have the potential to enjoy and engage with the type of video that we will be making.
After writing our overall synopsis, we showed it to several people and asked for their feedback on it. Here are some of their quotes:
"I think it's a great idea and you should definitely look into using some controversial imagery. Religion has a lot of area to explore, and think your video could be really insightful and thought-provoking with this narrative."
"I think it's a good starting point, but it needs a little bit more story, for example why is the character so unstable?"
"It sounds like a great idea but you should make sure you keep it accessible. If it goes too artistic then it may turn general audiences off, so be sure that it's not too artsy for its own good."
Our video will begin a fade in to a tracking shot from behind the main character as he walks into a church. We will then have the title and band name come up on screen, possibly with a director credit as well. The video will then follow the character as he aimlessly walks around town, lip-synching along to the song. There will be various locations, such as on top of a building looking over the town, in a forest-y walk, in a field and so on. The video will keep coming back to the church where the main character will be singing, and at various points in the video we will see the lead character consuming drugs and/or alcohol.
This is all to illustrate the narrative that we are following a character who is mentally unstable, and they've come to a point where they are incredibly depressed and just feel as though they have no purpose in life. This is why they're essentially a junkie. Because of this, he goes to church in the hopes that the presence of God will make him feel better. The video will end ambiguously with the character walking out of the church, not revealing whether he has found relief or not.
Here, you can see evidence of us emailing the various record labels that own the distribution rights to the song to see if we can get permission to use it.
We questioned the same sample of people so that the results are fair and consistent with the first questionnaire. When asked about the importance of establishing a star image, the result was closet even, so this isn't something we'll see as a huge priority. The majority of people also think that the lyrics of the song should match the content of the video, which is good as we were already planning on doing this. People have also said that they don't see intertextual references as particularly important, so again they won't be much of a priority in our video. The result for when questioned about the pace of the video is that the best pace is one that matches the beat of the song, which we will likely do in our video, and finally most people said that the best form for an alternative rock music video to take is either a narrative or a mixture of both narrative and performance.